Bass-Friendly

A legendary octave-up fuzz effect with a blend control that makes it great for bass guitar.

An adaptation of the Ampeg® SVT, a legendary high-powered bass amplifier that first appeared in 1969. It uses cascaded mu-amp stages in place of tubes for amp-like tone in a small box.

An updated adaptation of the Ampeg® SVT, a legendary high-powered bass amplifier that first appeared in 1969. It uses cascaded mu-amp stages in place of tubes for amp-like tone in a small box.

One of the most revered chorus pedals of all time, it uses analog BBDs to modulate the signal, resulting in the warm, rounded tone characteristic of this era.

A single-channel pedal recreation of the Sunn® Beta Lead and Beta Bass amplifiers, unique in using overdriven CMOS stages for their drive tone.

A bass fuzz with two distinct voicings that can be blended together in any ratio, from vintage warmth to searing, gated chaos.

An exceptionally rare and unique optical compressor designed by Dan Coggins of Lovetone fame.

An exceptionally rare and unique optical compressor designed by Dan Coggins of Lovetone fame.

A dual-mode bass distortion that delivers modern rock & metal bass tones by way of carefully-tuned signal filtering, plus a clean blend to retain the low end.

A dual-mode bass distortion that delivers modern rock & metal bass tones by way of carefully-tuned signal filtering, plus a clean blend to retain the low end. Also includes a 3-band EQ for more flexible control of the blended tone.

A CMOS-flavored bass overdrive with tones spanning across decades, from vintage warmth to modern bite and aggression.

A CMOS-flavored bass overdrive with tones spanning across decades, from vintage warmth to modern bite and aggression.

A gem from the 1980s, this effect combines a Dyna-style compressor with an exciter that enables control over the even & odd harmonics.

A full-frequency silicon fuzz, originally designed for bass but just as suited for guitar. Famously used by Chris Wolstenholme of Muse.

A full-frequency silicon fuzz, originally designed for bass but just as suited for guitar. Famously used by Chris Wolstenholme of Muse.

A full-featured envelope filter originally based on the Mu-Tron III with several modifications and additions. Used by The Edge, J Mascis, and Kevin Shields among others.

A pedal recreation of the preamp section of the Traynor TS-50B bass amp, first released in 1979 and revered for its unique drive tone.

The silicon successor to the classic Macaris germanium fuzz pedals of the late 1960s, the Jumbo Tone Bender and its variants were actually adapted from the Big Muff Pi.