Xotic Soul Driven Boost/Ovverdrive

Tracing Journal: Xotic Soul Driven Boost/Overdrive

Xotic is best known for their AC & RC Booster pedals as well as the BB Preamp. The Soul Driven was released in 2016, making it a relatively new addition to the Xotic family, developed in collaboration with Allen Hinds to be his signature drive pedal.

Here’s a demo/interview video with Allen:

It sounds pretty great, so we thought we’d tear one apart and see what was going on. Xotic makes some killer pedals, but they also tend to rehash a lot of their own stuff with only a couple of tweaks, so we were curious how different the Soul Driven would be from the AC/RC/BB pedals.

As it turns out: pretty different!

Note: The Soul Driven was originally released in 2016 as the limited-edition “AH” model with blue enclosure, as seen in the demo video above. The one we traced was the later non-limited chrome enclosure model, without the “AH”. It’s not known whether the “AH” version differs at all on the inside or if it’s just cosmetic.

Tracing Photos

Here are some photos of the Soul Driven guts:


If you’re interested, you can check out an Imgur gallery with another ~30 photos showing more detail of the PCB.

Xotic really has an interesting method of PCB construction with the sandwiched boards. They do this on all their other 1590B-format pedals as well. It gives them the best of all worlds: top-side DC jack, PCB-mount pots, through-hole components, space for a battery, and high-end Switchcraft in/out jacks. The only downside is that it makes troubleshooting and repair a little bit harder. (Tracing as well, incidentally.)


Xotic Soul Driven Schematic

Download the PDF version.


Nothing super groundbreaking, but interesting nonetheless. Here’s the basic topology:

  1. A Tube Screamer style clipping stage with slightly higher clipping threshold (1N914 + BAT46 in series) and variable high-pass frequency (similar to the Bass control of the Timmy or the Voice control of the Zendrive)
  2. Passive treble cut, similar to the RAT or Zendrive
  3. Volume control
  4. Bass boost stage @ 120 Hz by means of a single-transistor gyrator in the feedback loop of an op-amp. A dual DIP switch selects between four preset resistor values to determine the amount of bass gain, from flat (no boost) up to 6dB.
  5. Transistor-based output buffer

Interestingly, the back half of the circuit (everything after #1 above) is lifted almost verbatim from the BOSS BD-2 Blues Driver. Here’s the Blues Driver factory schematic to compare:

BOSS BD-2 Factory Schematic

Only four minor changes were made:

  • Tone pot is changed from 10kB in the BD-2 to 250kB (meaning it can cut more treble than the BD-2)
  • Tone control capacitor (C101 in the BD-2, C5 in my schematic) is changed from 1n to 1n5
  • Bass resistor (R8 in the BD-2) is changed from 6k8 to four available settings: 18k, 28k, 33k, 43k (meaning the lowest setting in the Soul Driven has more bass boost than the BD-2’s fixed value)
  • Output resistor (R1 in the BD-2, R12 in my schematic) is changed from 1k to 470R. No real impact from this change.

The only quibble I have from a design standpoint is putting the volume control before the EQ rather than after. As can be expected, there is a small amount of background hiss when the volume is all the way down, which could be eliminated if the volume control was after the bass stage, before the output buffer. The overall background noise level would be lower across all volume settings lower than 100%. But hey – the Blues Driver does it, and it’s stood the test of time for almost 25 years, so I won’t criticize the engineering too much.

Regarding the bass boost: Technically speaking, it functions the same as a potentiometer, just with four presets instead of a continuous control range. The only reason not to use a real potentiometer here is if you had a design restriction that limited you to no more than four knobs. Since Xotic is committed to the four-knob 1590B form factor, it’s likely that they experimented with the Bass control as its own potentiometer during the design phase but then settled on making it an internal DIP switch to save space.

Their advertising claims the bass boost is centered at 125 Hz, but using a gyrator calculator, I found that it was actually slightly under 120. The difference wouldn’t be audible, but since 120 is also a nice round number, I’m not sure why they didn’t just call it what it is.

Thulcandra Boost / Overdrive

The Thulcandra Boost / Overdrive is an Aion project releasing today based on the Xotic Soul Driven.

The one modification is that the internal DIP switch for bass level was changed into a potentiometer for smooth control across the whole range. At minimum rotation, it’s equivalent to the Flat setting, and at maximum rotation it’s equivalent to the highest boost setting (6dB), but instead of only having two in-between settings, you can set it however you’d like.

Disclaimer: Aion FX is in no way affiliated with Xotic. Any trademarks are property of their owners and are used for comparative purposes only.